Summer Sights in the Jardin du Luxembourg

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Summer Sights in the Jardin du Luxembourg

The Paris Vignettes series features the inspired work of street photographer William “Bill” O’Such in themed installments

A few days after seeing the Robert Doisneau photography exhibit, I headed to the Jardin du Luxembourg. My goal was to ferment the inspirations gleaned from the images I saw, and to try to capture stories of our time. Entering the park, you immediately notice more people reading than in almost any park in the US, whether it’s a book or a newspaper (“New York Times”). As I passed the many statues, I decided to do a little research on a few of them afterwards. One chaotic arrangement of figures depicted a drunken Silenus who was a tutor to the wine god Dionysus (“Silenus bourré”). Nearby, another statue portrayed Paul Verlaine, a key figure of the Symbolists and so-called Decadents. I couldn’t help but wonder: was there a theme emerging in this section of the jardin?

Across the beautiful bassin (“trop beau”), surrounded by young children maneuvering small sailboats (“presque la”), stood a statue that instantly made me think it was a model for how people pose for selfies today (“selfie Grec”). Stairs on either side (“elles ascendent”, “vers la haut”) beckon you towards meticulously arranged rows of trees (“allée des arbres”). Exiting the park on this sunny day, you’re left to ponder the story behind a solitary chair with a book on it (“tout seul”). It was time for a relaxing lunch near Odéon and a ride on the 96 bus back to Le Marais. 

Watch for the upcoming triptych vignette influenced by combination movements in Paris with the inspiration from the last salle at the Doisneau expo.

contemplation profonde. Photo: Bill O’Such

elles ascendent. Photo: Bill O’Such

New York Times. Photo: Bill O’Such

presque la. Photo: Bill O’Such

selfie Grec. Photo: Bill O’Such

Silenus bourré. Photo: Bill O’Such

suivez moi. Photo: Bill O’Such

symbolism et decadence. Photo: Bill O’Such

tout seul. Photo: Bill O’Such

trop beau. Photo: Bill O’Such

vers la haut. Photo: Bill O’Such

Lead photo credit : allée des arbres. Photo: Bill O'Such

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William was introduced to silver halide photography by his father, Chester J. O’Such, via the family’s Ansco reflex camera and home darkroom. After college, William worked as a photographic engineer at Eastman Kodak, where he began to learn the art of photography. With his first SLR, a Canon AE-1, he photographed his inaugural voyage to Paris in 1982. This early spark turned into full passion when William became a Kodak expatriate in Paris from 1995-99. Before returning to the USA, William and his future wife Ineke bought an apartment in the Marais district. Inspired by Bresson, William continues to visit Paris at least twice a year to wander the streets, camera in hand, looking for the next vignette. His photos are available for sale by visiting www.osuchphotography.com