Movement in Paris: A City Constantly in Motion

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Movement in Paris: A City Constantly in Motion

The Paris Vignettes series features the inspired work of street photographer William “Bill” O’Such in themed installments

I’m often inspired by the themes of the monthly Street Photography France competitions, and recently I came up with my own theme: “Movement.” I wanted to try to capture how things “bouge” in Paris. With this in mind, I suddenly found that my Parisian walks revealed a city constantly in motion.

Slowly walking across Rue de Rivoli, I saw a very “mobile” person on a bike, engrossed in a phone conversation (“au telephone tres mobile”) and oblivious to his surroundings… including me. As I crossed over to Île Saint-Louis, I detoured to one of my favorite spots: the downstream tip at Place Louis Aragon. Descending the stairs, I found a young man dancing energetically to hip-hop and caught the “hop” part (“dans l’air”). A few hours later, en route to a rendezvous at the Jardin du Luxembourg, I spotted a building facade with an intriguing array of angled mirrors that reflected the pedestrians in multiple, shifting scenes (“reflections dans un façade”).

The next day started with a museum trip. We took line 1 to see the Worth exhibit. After exiting the metro (“sortant le metro”) and incorrectly going to the Grand Palais, we finally arrived at the exhibit. Inside, the sheer number of people viewing the displays created a palpable sense of movement (“dans le petit palais”). Exiting the exhibit, a young woman was heading downstairs (“elle descende”) and eventually we merged into the departing crowd (“vers la porte”). As we exited the return metro at La Bastille, an unexpected rain shower forced us to wait as we were not well prepared (“sur le pluie”) but soon we were home, anticipating the adventures of the next day.

On Thursday, I met a friend for lunch near the Palais Royal, where a lively group of salsa and rhythmic dancers (“les danseurs”) entertained everyone. Returning to the Bastille again (no rain this time!), I spotted a young woman, “sans” music, moving to an invisible rhythm with intricate hand movements (“les mains parlent”). Later that evening, we enjoyed after-dinner drinks crafted by skilled bartenders (“les mixologists”). These master mixologists seemed to anticipate the liquid’s trajectory as they dramatically prepared our Aviations.

So, as you walk through Paris, enjoy the myriad demonstrations of movement wherever you may be (“se tenir bien”), as the city moves in countless ways.

conversation en passant. Photo: Bill O’Such

dans l’air. Photo: Bill O’Such

dans le petit palais. Photo: Bill O’Such

elle descende. Photo: Bill O’Such

les danseurs. Photo: Bill O’Such

les mains parlent. Photo: Bill O’Such

les mixologistes. Photo: Bill O’Such

reflections dans une facade. Photo: Bill O’Such

se tenant les mains. Photo: Bill O’Such

se tenir bien. Photo: Bill O’Such

sortant le metro. Photo: Bill O’Such

sur la pluie. Photo: Bill O’Such

vers la porte. Photo: Bill O’Such

Lead photo credit : au telephone tres mobile. Photo: Bill O'Such

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William was introduced to silver halide photography by his father, Chester J. O’Such, via the family’s Ansco reflex camera and home darkroom. After college, William worked as a photographic engineer at Eastman Kodak, where he began to learn the art of photography. With his first SLR, a Canon AE-1, he photographed his inaugural voyage to Paris in 1982. This early spark turned into full passion when William became a Kodak expatriate in Paris from 1995-99. Before returning to the USA, William and his future wife Ineke bought an apartment in the Marais district. Inspired by Bresson, William continues to visit Paris at least twice a year to wander the streets, camera in hand, looking for the next vignette. His photos are available for sale by visiting www.osuchphotography.com